Antigone, pen in 1942 by the French playwright Anouilh, is ground upon the original Antigone the third play in the trilogy of The Theban Plays written by Sophocles, of Ancient Greece, in around 450 BC. Antigone is based upon the passee conflict between the requirements of human and divine law. Although Anouilhs version of Antigone is importantly similar to its original by Sophocles, there ar secure differences between the two plays. There is the chorus depicted as one person who sets the scene, the many different characters who draw out different perspectives of Antigones persona and the introduction of the character of the nurse. During Antigone, contempt of expiration enables a weak maiden to conquer a in good coiffure ruler, who, proud of his own wisdom, ventures in his unbounded arrogance to his cavum his royal word against the duty to kin and human sentiment, and learns in all to late by destruction, that fate, in due course, brings fit punishment.
Due to the feature that the play is based on conflict, the story of the play is revealed everyplace the dispute about the burial of Antigones brother, Polynices, in which King Creons views are that of a political nature opposed to Antigones religious duties and opinions, whilst both retaining the belief that they are in the right.
As the audience, we can further anticipate the most dramatic scene that will wherefore be the confrontation between these two characters when Antigone is arrested, as their positions are conflicting. This essay is to analyse what effects the dramatic devices used by Anouilh have in the scenes leading up to Antigones arrest and I will endeavour to highlight those that do so.
The opening address by the chorus sets the scene for the conflict in the play, the tension and suspense of Antigone is felt...
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